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CHANSON (French "song"): A love-song or French love-poem, especially one the Provençal troubadour poets created or performed. Conventionally, the chanson has five or six stanzas, all of identical structure, and an envoi or a tornada at the end. They were usually dedicated or devoted to a lady or a mistress in the courtly love tradition.

CHANSON DE GESTE (French, "song of deeds"): These chansons are lengthy Old French poems written between the eleventh and fourteenth centuries glorifying Carolingian noblemen and their feudal lords. The chansons de geste combine history and legend. They focus on religious aspects of chivalry rather than courtly love or the knightly quests so common in the chivalric romance. Typical subject-matter involves (1) internal wars and intrigue among noble factions (2) external conflict with Saracens, and (3) rebellious vassals who rise up against their lords in acts of betrayal. Typical poetic structure involves ten-syllable lines marked by assonance and stanzas of varying length. The chansons de geste are in many ways comparable to epics. Over eighty texts survive, but The Song of Roland is by far the most popular today.

CHANSON À PERSONNAGES (French, "song to people"): Old French songs or poems in dialogue form. Common subjects include quarrels between husbands and wives, meetings between a lone knight and a comely shepherdess, or romantic exchanges between lovers leaving each other in the morning. See aubade.

CHARACTER: Any representation of an individual being presented in a dramatic or narrative work through extended dramatic or verbal representation. The reader can interpret characters as endowed with moral and dispositional qualities expressed in what they say (dialogue) and what they do (action). E. M. Forster describes characters as "flat" (i.e., built around a single idea or quality and unchanging over the course of the narrative) or "round" (complex in temperament and motivation; drawn with subtlety; capable of growth and change during the course of the narrative). The main character of a work of a fiction is typically called the protagonist; the character against whom the protagonist struggles or contends (if there is one), is the antagonist. If a single secondary character aids the protagonist throughout the narrative, that character is the deuteragonist (the hero's "side-kick"). A character of tertiary importance is a tritagonist. These terms originate in classical Greek drama, in which a tenor would be assigned the role of protagonist, a baritone the role of deuteragonist, and a bass would play the tritagonist. Compare flat characters with stock characters.

CHARACTERIZATION: An author or poet's use of description, dialogue, dialect, and action to create in the reader an emotional or intellectual reaction to a character or to make the character more vivid and realistic. Careful readers note each character's attitude and thoughts, actions and reaction, as well as any language that reveals geographic, social, or cultural background.

CHARACTONYM: An evocative or symbolic name given to a character that conveys his or her inner psychology or allegorical nature. For instance, Shakespeare has a prostitute named Doll Tearsheet and a moody young man named Mercutio. Steinbeck has the sweet-natured Candy in Of Mice and Men. Spenser has a lawless knight named Sansloy (French, "without law") and an arrogant giant named Orgoglio (Italian, "pride"). On a more physical level, Rabelais might name a giant Gargantua. These names are all charactonyms. Cf. eponym.

CHAUCERISM: In the Renaissance, experimental revivals and new word formations that were consciously designed to imitate the sounds, the "feel," and verbal patterns from an older century--a verbal or grammatical anachronism. Spenser uses many Chaucerisms in The Fairie Queene.

CHEKE SYSTEM: As summarized by Baugh, a proposed method for indicating long vowels and standardizing spelling first suggested by Sir John Cheke in Renaissance orthography. Cheke would double vowels to indicate a long sound. For instance, mate would be spelled maat, lake would be spelled laak, and so on. Silent e's would be removed, and the letter y would be abolished and an i used in its place (Baugh 209). It did not catch on.

CHIASM: A specific example of chiasmus, see below.

CHIASMUS (from Greek, "cross" or "x"): A literary scheme in which the author introduces words or concepts in a particular order, then later repeats those terms or similar ones in reversed or backwards order. It involves taking parallelism and deliberately turning it inside out, creating a "crisscross" pattern. For example, consider the chiasmus that follows: "By day the frolic, and the dance by night." If we draw the words as a chart, the words form an "x" (hence the word's Greek etymology, from chi meaning "x"):

The sequence is typically a b b a or a b c c b a. "I lead the life I love; I love the life I lead." "Naked I rose from the earth; to the grave I fall clothed." Biblical examples in the Greek can be found in Philippians 1:15-17 and Colossians 3:11, though the artistry is often lost in English translation. Chiasmus often overlaps with antimetabole.

CHICANO / CHICANA LITERATURE Copyright Dr. L. Kip Wheeler 1998-2012. Permission is granted for non-profit, educational, and student reproduction. Last updated March 30, 2012. Contact: kwheeler@cn.edu Please e-mail corrections, suggestions, or comments to help me improve this site. Click here for credits, thanks, and additional copyright information. ca w Videos Singles x Stripped Good Looking Stripped Singers lz q Good Looking Stripped Singers Video Stripped Good Looking Stripped Singers